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Jan 7, 2013
01/13
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and i said no, because i thought it would make me loopy or make me hall use nature or make me drowsy. and he said i'm telling you, just try it, 10 milligrams. so i went through, i had the shingles really bad. >> rose: oh boy. >> and part of the con kontion of drugs they give to you fight that pain, are pretty serious. and i just got tired of taking them. so i stopped taking them. >> rose: cold turkey. >> yeah. and part of that created in me this nervous anxiety. and then i was really screwed. so that is when i said to lou, okay, okay, i will try anything just to get rid of this depression. because it was, it's different than oh, i don't feel good today. it's different than feeling sad. it's different than feeling blue. it's really like a friend of mine says, it's the world with 20/20 vision. you really see yourself in trouble. so i took it, 10 milligrams. and one of those selected serotonin inhibitiers. and oh my gosh, within about 90 days, i realized oh, this is how other people who i admire must feel. because i would-- whenever i would get up set i wanted to make sure the world was
and i said no, because i thought it would make me loopy or make me hall use nature or make me drowsy. and he said i'm telling you, just try it, 10 milligrams. so i went through, i had the shingles really bad. >> rose: oh boy. >> and part of the con kontion of drugs they give to you fight that pain, are pretty serious. and i just got tired of taking them. so i stopped taking them. >> rose: cold turkey. >> yeah. and part of that created in me this nervous anxiety. and then...
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Jan 19, 2013
01/13
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they got me in. and they called me in for an interview. we had a half-hour slot and it became two hours and at the end of the it, according to some who were there they decidedly i was the guy. >> rose: who is that that? who is "they?" >> some are still there, ken joz. you i hadda number of the executives there. and they just-- john klein was still there. >> rose: is anything different between what you did on the aforementioned show for itv and what you do on cnn? >> yeah, because i think actually what it's become is a show which takes the best of what i do for itv in terms of the interviews with bick stars, whether barbar barbra streisand or dawley lawmaker acharlie sheen this week, there's that type big in-depth interview. but at the same time, if you're at cnn, you have to do news. and i think we have proven uses with the gun issue and other things, too, the tabloid skills, if you like, of the vivid and dramatic presentation of the news-- which is what tabloid means-- can be put on a show like mine and bring issues to life. and they can
they got me in. and they called me in for an interview. we had a half-hour slot and it became two hours and at the end of the it, according to some who were there they decidedly i was the guy. >> rose: who is that that? who is "they?" >> some are still there, ken joz. you i hadda number of the executives there. and they just-- john klein was still there. >> rose: is anything different between what you did on the aforementioned show for itv and what you do on cnn?...
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Jan 4, 2013
01/13
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show me all the excel spreadsheets, show me, just weren't it to me in a different way. because e-mail is also unfair. just because someone has my e-mail address, they expect that i will give them my time. that didn'tñr seem fair to me. every day it's just t requires more -- >> it isate@ -- >> it needs to be, it's ripe for remanaging. and someone will do it. and-- . >> rose: was there a moment in which you guys decided this is where we want to go. we want to be able to go in this direction, having created twitter. >> medium is sort of the culmination of the last almost 15 years in working on these systems. because there's always ideas and things that are bothering you that you never get to or that don't fit in the current system. and twitter is optimized for realtime immediatesy bringing people closer to whatever it is they care about. and when i stepped away from there day-to-day, i wanted to go back to my blog. i started blogging in 1996 or something. and i, of course, running a company like twitter didn't have a lot of time to do that. i went to write again, write de
show me all the excel spreadsheets, show me, just weren't it to me in a different way. because e-mail is also unfair. just because someone has my e-mail address, they expect that i will give them my time. that didn'tñr seem fair to me. every day it's just t requires more -- >> it isate@ -- >> it needs to be, it's ripe for remanaging. and someone will do it. and-- . >> rose: was there a moment in which you guys decided this is where we want to go. we want to be able to go in...
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Jan 29, 2013
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appreciate it. >> rose: set up this game for me. you have said that the ravens should have the upper hand because they're on a roll and you beat peyton manning and tom brady, you deserve a certain amount of respect. >> well, if you go through your playoff run, after having a mediocre end to the year losing four of your last five and you come into the playoffs and you beat the young wonder kind, andrew luck, then you beat peyton manning and tom brady on the road and your defense-- which was suspect the whole year-- allows 14 points a a game in those three games then you start to say, you know, there's something going on here. and you start to look at them and say this is really not the ravens team that they appeared to be in december. but then 49ers come in and they've got this young stallion of a quarter back who runs as well as he throws and how about this? he runs for 181 yards in one playoff game against green bay then in the next playoff game he only runs one time on purpose for minus two yards. and so -- and he beats the atlant
appreciate it. >> rose: set up this game for me. you have said that the ravens should have the upper hand because they're on a roll and you beat peyton manning and tom brady, you deserve a certain amount of respect. >> well, if you go through your playoff run, after having a mediocre end to the year losing four of your last five and you come into the playoffs and you beat the young wonder kind, andrew luck, then you beat peyton manning and tom brady on the road and your defense--...
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Jan 17, 2013
01/13
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let me go to you first, michael. tell me what the president said and what do you think is politically possible? >> i think actually the most remarkable part of today's event was thee xwrat ricks surrounding the announcement. it's very different than the events you saw on the first term. you had the president on stage with students, young kids who wrote him letters about guns and he was pulling at heart strings all thugh the speech making clear this was not something he was going to get done inside washington but that would only happen with the american people coming together and demanding it. he knows and the white house know that the most controversial parts of his proposal: banning certain gun magazines, reinstituting the assault weapons ban and universal background checks are going nowhere right now in congress. and what the white house has done over the last four weeks is to begin building what they hope will be a movement that pressures congress over the coming months and coming years tory and force this issue i
let me go to you first, michael. tell me what the president said and what do you think is politically possible? >> i think actually the most remarkable part of today's event was thee xwrat ricks surrounding the announcement. it's very different than the events you saw on the first term. you had the president on stage with students, young kids who wrote him letters about guns and he was pulling at heart strings all thugh the speech making clear this was not something he was going to get...
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Jan 8, 2013
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david, help me on this. is that what they have to address first or is this something else that must be addressed before you get to the debt ceiling extension question? >> the debt ceiling is likely to come first. the funny thing is at this point to some extent there aren't any external deadlines they absolutely have to meet. these are all created by washington. historically the debt ceiling was not an occasion for a big policy change. it became one in 2011, the republicans successfully made that happen. but they could easily extend the debt kreiling the way washington has in the past. in some ways the bigger thing is the sequester. it was supposed to be january 1, they pushed it back to march 1. substantial cuts. not overwhelming but substan tomorrow domestic programs and the military. most people don't want them take effect and the question is can they come up with something else that would bring down the deficit instead of across-the-board sequester cuts scheduled for march 1. >> rose: i watched over the w
david, help me on this. is that what they have to address first or is this something else that must be addressed before you get to the debt ceiling extension question? >> the debt ceiling is likely to come first. the funny thing is at this point to some extent there aren't any external deadlines they absolutely have to meet. these are all created by washington. historically the debt ceiling was not an occasion for a big policy change. it became one in 2011, the republicans successfully...
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Jan 15, 2013
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let me turn to gun control watch. dow expect vice president bidetone suggest to the president tomorrow, majer? >> well, several things, charlie. i think he's going to say what the president has already said. he wants to reinstate the assault weapons ban, first put into law in 1994, set on a ten year sunset, was not renewed when it expired. a new ban on the large capacity ammunition clips, those magazines that hold more than ten bullets, sometimes up to a hundred. and some type of beefing up of the mental health and criminal background check system. currently it applies only to federally licensed firearms dealers. some gun shows don't have all those dealers there and private sales aren't covered. that is a very difficult thing to do from a gun registry and absolute data sealed off sort of way to approach that. the nra has some very strong objections and members of congress might be skeptical rather to a complete requirement for every firearms transaction in america to be covered by a criminal and mental health backgrou
let me turn to gun control watch. dow expect vice president bidetone suggest to the president tomorrow, majer? >> well, several things, charlie. i think he's going to say what the president has already said. he wants to reinstate the assault weapons ban, first put into law in 1994, set on a ten year sunset, was not renewed when it expired. a new ban on the large capacity ammunition clips, those magazines that hold more than ten bullets, sometimes up to a hundred. and some type of beefing...
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Jan 22, 2013
01/13
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al, let me start with you. before we talk about the speech, just talk about the ambience of this inauguration. >> these are wonderful weekends. this is a long weekend. whether it's republican or democrat people who come are in a great mood of celebration, they're walking the streets. i love inaugural weekends. i think they're fabulous. not as big as it was last time but i think it was -- in many ways i thought there would be a little of a down tick but just walking around the streets a bit today that didn't appear to be the case. of course all the fancy parties but there are a lot of just real people who don't go to fancy parties so i love this weekend. >> rose: john dickerson you were there for cbs with a front-row seat. what did it seem like for you? >> bright and early people were out there. long before the sun was up the president was walking down the parade t ute ey were 15 people deep. it was a nice antidote to what the rest of us were essentially saying which was talking about the fact that washington is
al, let me start with you. before we talk about the speech, just talk about the ambience of this inauguration. >> these are wonderful weekends. this is a long weekend. whether it's republican or democrat people who come are in a great mood of celebration, they're walking the streets. i love inaugural weekends. i think they're fabulous. not as big as it was last time but i think it was -- in many ways i thought there would be a little of a down tick but just walking around the streets a...
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Jan 31, 2013
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why don't you go to washington and say give me a chance. i'll put together a governor romney and we'll fix this? >> i think at some point the country is going to need to do that -- >> rose: do what. bring together a lot of i.q. on the problem. >> on health care costes, absolutely. right now, there's a lot of incentives to invent expensive cures that don't have much impact. and there's actually disincentive to do some of the things that would make the system less expensive. and that's not going to be an overnight thing. but at some point, the politicians will realize they need to pull together expertise. none of these budget things really get at that core issue. >> rose: you know that your friend and mine, warren buffet, has strong opinions about taxation. do you share his opinions about what the tax on the wealthy of us ought to be and that we ought to pay more and it's a fair thing to do? >> yeah, there's two things-- two basic things i think warren would say. one is that the-- because your gains on capital are taxed at much lower rates, p
why don't you go to washington and say give me a chance. i'll put together a governor romney and we'll fix this? >> i think at some point the country is going to need to do that -- >> rose: do what. bring together a lot of i.q. on the problem. >> on health care costes, absolutely. right now, there's a lot of incentives to invent expensive cures that don't have much impact. and there's actually disincentive to do some of the things that would make the system less expensive. and...
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Jan 26, 2013
01/13
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i said tell me. he says well we start shooting in two weeks. >> yes. >> what if she doesn't like me and he was serious. >> yeah. people are people. >> rose: sure. >> and i said don't get rid of that. let that be a part of it. >> rose: here is another scene. this is where jean finds reggie hiding from her in a church. here it is. >> leave! >> can't ever remember you crying. >> i can't remember you being religious. >> i'm not. i was trying to avoid you. >> i apologize for hurting you. please be kindment we were different people then. >> you said that, jean. are you repeating yourself. >> why do we have to get old? >> that's what people do. >> we have to come to some arrangement. >> i don't want to talk about it, you're here, i'm here. >> so what are we going do. >> bring -- >> what happened to forgive and forget? >> takes me back. >> takes me back to you, reg. >> he was very up set because he was to the getting the leading roles any more that he did for years and yearsment and he was getting those part
i said tell me. he says well we start shooting in two weeks. >> yes. >> what if she doesn't like me and he was serious. >> yeah. people are people. >> rose: sure. >> and i said don't get rid of that. let that be a part of it. >> rose: here is another scene. this is where jean finds reggie hiding from her in a church. here it is. >> leave! >> can't ever remember you crying. >> i can't remember you being religious. >> i'm not. i was...
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Jan 10, 2013
01/13
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me ayudarían a salir. estaba en problemas. tu secuestro fue una farsa. tú en verdad mataste a esa chica. no, eso fue un accidente, nunca mataría a nadie. [llorando] ¡fuiste tú! estaba fuera de mí, fue un accidente, no quise hacerlo, te lo juro. ¡no te muevas! no te muevas, me das asco. [llorando] buaaa, ja, ja... esto es del pasado, ahora podemos salvarnos tú y yo. ¿qué estás diciendo, filippo? escucha, sólo debo oprimir un botón. ellos saben dónde estamos, saben lo que estamos haciendo, hice un trato con ellos, marco y carlisi a cambio de la libertad. no, no, suéltalo, filippo. oye, ¿por qué no nos vamos? nos vamos a una isla, te gustaban las islas de niña, ¿recuerdas? no quiero escucharte más. seríamos solo tú y yo, giada. no, no más, basta. recuerdas... ¡no! podemos comenzar todo de nuevo. [gritando] ¡no! [llorando] buaaa, ja, ja... por favor, dame ese control, filippo. tú no puedes matarme. te lo ruego, filippo. déjame oprimir el botón. te lo ruego. no puedes matarme, soy tu
me ayudarían a salir. estaba en problemas. tu secuestro fue una farsa. tú en verdad mataste a esa chica. no, eso fue un accidente, nunca mataría a nadie. [llorando] ¡fuiste tú! estaba fuera de mí, fue un accidente, no quise hacerlo, te lo juro. ¡no te muevas! no te muevas, me das asco. [llorando] buaaa, ja, ja... esto es del pasado, ahora podemos salvarnos tú y yo. ¿qué estás diciendo, filippo? escucha, sólo debo oprimir un botón. ellos saben dónde estamos, saben lo que estamos...
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Jan 31, 2013
01/13
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nardo, ¿qué me dices? ♪ con todo respeto, don michele, regresamos aquí luego de borrar todo el odio y rencor por nuestros muertos, y antes de hacerlo le pedimos permiso a los corleonesi, permiso que fue concedido por el tío vino en persona. ahora digo, ¿qué más debemos hacer para poder vivir en santa paz en nuestra casa, aquí donde nacimos? ¿ah? ¿qué más debemos hacer? tarde o temprano averiguaremos quién mató al policía, pero ya dejemos de mirarnos de reojo, de intimarnos unos a otros, ¡sigamos adelante! negocios son negocios, concentrémonos en ellos, por el bien común, fijarse en el pasado no le sirve a nadie. espero por su bien que digan la verdad, porque... si descubro que están mintiendo... entonces lo que sucedió hace 20 años entre su familia y la nuestra, no será nada en comparación, ¿está todo claro? dios los bendiga a todos. y a ti. ♪ vamos. ♪ ya siéntate, come. ♪ (hombre) nadie mejor que usted puede averiguar quién mató a lauria, quién ordenó el crimen y por qu
nardo, ¿qué me dices? ♪ con todo respeto, don michele, regresamos aquí luego de borrar todo el odio y rencor por nuestros muertos, y antes de hacerlo le pedimos permiso a los corleonesi, permiso que fue concedido por el tío vino en persona. ahora digo, ¿qué más debemos hacer para poder vivir en santa paz en nuestra casa, aquí donde nacimos? ¿ah? ¿qué más debemos hacer? tarde o temprano averiguaremos quién mató al policía, pero ya dejemos de mirarnos de reojo, de intimarnos unos...
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Jan 30, 2013
01/13
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optimistic, sort of ramp it up but he was very honest and so one thing he did for me was make me look a little closer at that tendency and say well if dave were here he would honestly say this food is terrible or he would say i don't like that book. in that way he was a wonderful influence. >> rose: when you read of his suicide, what did you think. >> actually somebody e-mail me what do you think about this and i thought it was a joke because i couldn't, his energy, it was so beautiful and vibrant and so all inclusive. you could be somewhere and if he was nervous that became part of the story, if he was happy, if there was some, i remember enter viewing him on stage in a public theatre in new york and we were both of kind of nervous and we had a graded talk and he went out with a plastic fork in his hand and kept that the whole time and several times he would look down and kind of refer to it. >> rose: did he appreciate the talent, do you think. >> that he had? i think he did, yes. i mean, it was so interesting to watch a at that time like that. saw they the talent and the man are the
optimistic, sort of ramp it up but he was very honest and so one thing he did for me was make me look a little closer at that tendency and say well if dave were here he would honestly say this food is terrible or he would say i don't like that book. in that way he was a wonderful influence. >> rose: when you read of his suicide, what did you think. >> actually somebody e-mail me what do you think about this and i thought it was a joke because i couldn't, his energy, it was so...
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Jan 2, 2013
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¡qué me use si quiere! me hace mucha falta. (danny) ♪ ahora los animales, si se sienten enfermos ♪ ♪ podrán ir tranquilamente a nuestro hospital. ♪ ¡ahhh! no sé cómo puedes cantar con todo ese ruido afuera. creo que valió la pena, instalaré una clínica de categoría y no tendré que hablar con elliot kriel otra vez. es algo extraordinario. ♪ ahora los animales... ♪ ¡oh, no lo puedo creer! ♪ tum, tucu, tum. ♪ [golpean a la puerta] ¡toc, toc...! yo voy. ♪ mmm, mmm, mmm. ¿dónde está, dónde está mi esposa? ¿perdón? no llegó a casa anoche y jordan tampoco. bueno, no sé por qué la buscas aquí. por favor, es obvio. invitaste a toda la provincia a tu fiesta de caridad, fatani me contó. ¡vaya, de hombre fuerte a chismoso patético! (fatani) si ustedes no me necesitan estaré en el auto. sí, es lo mejor. escucha, amy y jordan no me conciernen. ¡ja, en eso te equivocas! conozco a jordan hace tiempo y a su mujer mucho tiempo más. si descubro que jordan está aquí con amy, me aseguraré que no fin
¡qué me use si quiere! me hace mucha falta. (danny) ♪ ahora los animales, si se sienten enfermos ♪ ♪ podrán ir tranquilamente a nuestro hospital. ♪ ¡ahhh! no sé cómo puedes cantar con todo ese ruido afuera. creo que valió la pena, instalaré una clínica de categoría y no tendré que hablar con elliot kriel otra vez. es algo extraordinario. ♪ ahora los animales... ♪ ¡oh, no lo puedo creer! ♪ tum, tucu, tum. ♪ [golpean a la puerta] ¡toc, toc...! yo voy. ♪ mmm, mmm,...
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Jan 2, 2013
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it bothers me a lot. there's also room for books that are more serious, perhaps, go to another level,. >> rose: more emotional, more demanding. more -- >> yeah, i've been in the business for 40 years and for 40 years i've heard from children and their letters are so fierce. >> rose: fierce in what way? >> well, i mean, they ask you such incredibly personal if -- i wonder why are they asking me. why aren't they asking their parents? the answer simply is they probably cannot ask their parents. >> rose: do you feel inadequate to respond because you don't know the answer? >> i often don't know the answer but you tell them. what's touching is they're asking the question the questions frequently is to do with life and death, sadness and morbidity. happiness, love. >> in the spring and summer of '92 i was editor and i was watching the campaign develop. i covered it for the "new york times" before and political campaigns in season and i noticed something things i hadn't seen before. first paul tsongas started tal
it bothers me a lot. there's also room for books that are more serious, perhaps, go to another level,. >> rose: more emotional, more demanding. more -- >> yeah, i've been in the business for 40 years and for 40 years i've heard from children and their letters are so fierce. >> rose: fierce in what way? >> well, i mean, they ask you such incredibly personal if -- i wonder why are they asking me. why aren't they asking their parents? the answer simply is they probably...
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Jan 12, 2013
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let me see how you got here. you grew up in new york. >> uh-huh. >> your mother is a photographer and your father is -- >> a painter. >> yep. >> rose: they are both artists. >> yes, when i said he was a painter i had to clarify because people assumed he painted houses and/or chairs. >> rose: and their influence on this series is profnd because of their influence on you? >> yes. i would say that although i am -- i am playing a character who had a lot of biographical details that differ from mine, she is from michigan and a contentious relationship with parents who don't understand her, i have been to michigan once and my parents understand me a little too much but my parents sort of firm belief that self-expression was like the holy grail of life and something hard not to soak up. >> rose: you also hung out with the adults. >> a lot. i mean,. >> rose: so did i. >> did you? >> rose: oh, sure, yeah, i had to because my parents had a country store which therefore the only people that inhabited the country store were
let me see how you got here. you grew up in new york. >> uh-huh. >> your mother is a photographer and your father is -- >> a painter. >> yep. >> rose: they are both artists. >> yes, when i said he was a painter i had to clarify because people assumed he painted houses and/or chairs. >> rose: and their influence on this series is profnd because of their influence on you? >> yes. i would say that although i am -- i am playing a character who had a...
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Jan 24, 2013
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. >> for me this is not just a matter of policy. it's personal. i stood next to president obama as the marines carried those flag-draped caskets off the plane at andrews. i put my arms around the mothers and fathers, the sisters and brothers, the sons and daughters, and the wives left alone to raise their children. >> rose: questions about the accuracy of the administration's initial depiction of the events elicited a heated response. >> the fact is we had four dead americans. >> i understand. >> was it because of a protest or was it because of guys out fair walk one night who decided they'd go kill some americans. what difference at this point does it make? it is our job to figure out what happened and do everything we can to prevent it from everything happening again, senator. >> rose: secretary clinton's testimony today may be her last major appearance in a diplomatic role. she hands over the reigns to senator john kerry after his confirmation. joining me now from washington, david ignatius of the "washington post." later we'll talk to michael
. >> for me this is not just a matter of policy. it's personal. i stood next to president obama as the marines carried those flag-draped caskets off the plane at andrews. i put my arms around the mothers and fathers, the sisters and brothers, the sons and daughters, and the wives left alone to raise their children. >> rose: questions about the accuracy of the administration's initial depiction of the events elicited a heated response. >> the fact is we had four dead americans....
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Jan 1, 2013
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me. >> why shakespeare when we continue. >> funding for charlry rose was provided by the following:. >> aya decisional funding provided by these funders:. >> from our studios in new york city, this is charlry captioning sponsored by rose communications from our studios in new york city, this is charlie rose. >> brief candle. life is but a walking shadow. a poor player of-- up on the stage. and then it hurt no more. it is a tale told by an idiot full of sound and furry. signifying nothing. >> welcome to our charlry rose special edition, why shakespeare. we will hear from some of the most celebrated actors, directors and scholars working today am they'll help us better understand the complexity and the genius of william shakespeare. nearly 400 years after his death we're still left wondering how could one person write so beautifully, be so enduring and speak so eloquently to what it means to be human. shakespeare's great rival ben johnson wrote of him, he was not of an age, but for all time
me. >> why shakespeare when we continue. >> funding for charlry rose was provided by the following:. >> aya decisional funding provided by these funders:. >> from our studios in new york city, this is charlry captioning sponsored by rose communications from our studios in new york city, this is charlie rose. >> brief candle. life is but a walking shadow. a poor player of-- up on the stage. and then it hurt no more. it is a tale told by an idiot full of sound and...
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Jan 1, 2013
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me. laurence olivier once called him the nearest thing in incarnation to the eye of god. william shakespeare was born in 1564 in the small pro vention english town of statford upon avon. he moved to london in the late 1580s and in a remarkably short period of time became perhaps the greatest playwright of all time. the names speak for themselves. hamleting king lear, othello, macbeth, romeo and juliet. these plays have been passed down through generations. they dazzle us with an appeal that transcends time and culture. tonight in our first episode with the charlry rose shakespeare series we start with conversations on the greatness and the enigma. we'll talk to the director of the new york public theatre, barbara gainse, director of the chicago shakespeare theatre and hear from some others from previous appearances on our program. they include shakespeare scholar steven greenblatt and harold bloom, also the director of the royal shakespeare company michael boyd. we then conclude our eveni
me. laurence olivier once called him the nearest thing in incarnation to the eye of god. william shakespeare was born in 1564 in the small pro vention english town of statford upon avon. he moved to london in the late 1580s and in a remarkably short period of time became perhaps the greatest playwright of all time. the names speak for themselves. hamleting king lear, othello, macbeth, romeo and juliet. these plays have been passed down through generations. they dazzle us with an appeal that...
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Jan 24, 2013
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me lo esperaba. el problema es que ahora el teléfono está en roma, según el gps llegó hace una hora. ¿y dónde está ahora? ♪ marco... en el vaticano. ♪ (antonio) sube ahí, vamos, vamos, vamos. ♪ razone, no es posible que estén tan locos para cometer un atentado en roma, es absurdo, es un error. ¿según tú qué deberíamos hacer, retirarnos? (tancredi) no lo veo, brain, llámalo, sí. haz sonar el teléfono. sí. ♪ [teléfono móvil timbrando] ¡tululi, tululi! [teléfono móvil timbrando] ¡titutitutututi! ♪ [teléfono móvil timbrand ¡tililili, tililili! ♪ nada aún. sigue tratando, por dios. eso hago, marco, eso hago. esta es una equivocación, no hay duda. ♪ maldición. [teléfono móvil timbrando] ¡turrrrrrr, turrrrrrr! no es posible. [teléfono móvil timbrando] ¡turrrrrrr! conectado, hecho. (sgrò) ¿sí? diga. ya lo vi. hable. ♪ ♪ a un lado, ¡a un lado! ♪ ¡apártense, apártense! ♪ ¡a un lado, a un lado! (mujer) ¿qué está pasando? apártense. ♪ [arma
me lo esperaba. el problema es que ahora el teléfono está en roma, según el gps llegó hace una hora. ¿y dónde está ahora? ♪ marco... en el vaticano. ♪ (antonio) sube ahí, vamos, vamos, vamos. ♪ razone, no es posible que estén tan locos para cometer un atentado en roma, es absurdo, es un error. ¿según tú qué deberíamos hacer, retirarnos? (tancredi) no lo veo, brain, llámalo, sí. haz sonar el teléfono. sí. ♪ [teléfono móvil timbrando] ¡tululi, tululi! [teléfono...
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Jan 18, 2013
01/13
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KQED
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it's not me. so i cross the street. i don't want to see that you know i don't want to see that kind of suffering or whatever. if that becomes me, if the experience of zen, if you experience that oneness, now i can't cross the street. i say hello, i say how are you. i do whatever. i do the best i can, prab giving money but that's not important. what's the most important thing. to give love, to love that. so that can keep going and going and now that's the power of zen. imagine if we as a country felt that way. we would be taking care of everything without, to the best we can. doesn't mean we can solve the things. but we would be doing the best we can, instead of denying it. arguing about it. keeping to our own positions, you know. that's the power of zen that interconnectedness it is the rug that ties the room together. s this's the power. >> i think we now got it we have it. the book is called the dude. and the zen master. the dude is with it. the zen master is with us. bernie glassman and jeff bridges, thank you my fri
it's not me. so i cross the street. i don't want to see that you know i don't want to see that kind of suffering or whatever. if that becomes me, if the experience of zen, if you experience that oneness, now i can't cross the street. i say hello, i say how are you. i do whatever. i do the best i can, prab giving money but that's not important. what's the most important thing. to give love, to love that. so that can keep going and going and now that's the power of zen. imagine if we as a country...
WHUT (Howard University Television)
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45
Jan 3, 2013
01/13
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WHUT
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i think fighter me, for us-- did i say sight? i think sound for me and the show isn't just a sense. it's somehow more than that. >> rose: down hewittue know this story-- donahueit, the creator of the "60 minutes," the late donahuei don don hewit, used to want to turn away from the monitor and listen to the voices to see if it had something that he wanted to hear in every "60 minutes" piece. >> yeah. actually, it's a very interesting question to me. i don't know that i would think sound trumps sight all the time. i know if i were to take my hair and drop it over my fored and be uncombed in your presence most people watch, couldn't get paste that fact and they'd be like, "why doesn't he comb his hair?" "missiles are going into your kitchen at this moment. and why isn't his hair combed! in a sense, the eye blocks the ear. but there are voluptuous eyes out there that know how to excuse yoto seduceue. >> rose: you spent considerable amounts of time on the pieces you did and how to present an idea visually. you had characters and everything else. >> we still do that, but, yeah, it's-- i w
i think fighter me, for us-- did i say sight? i think sound for me and the show isn't just a sense. it's somehow more than that. >> rose: down hewittue know this story-- donahueit, the creator of the "60 minutes," the late donahuei don don hewit, used to want to turn away from the monitor and listen to the voices to see if it had something that he wanted to hear in every "60 minutes" piece. >> yeah. actually, it's a very interesting question to me. i don't know...
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Jan 3, 2013
01/13
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WMPT
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hice todo lo que me pidieron. aún tienes que hacer algo más por nosotros, tancredi y carlisi no pueden seguir siendo un problema. ¿en qué sentido? en todo sentido. pero no puedo hacerlo. ¿sólo porque no son mujeres indefensas? ♪ ya sospechan de mí. ♪ no puedo hacerlo. si haces lo que te digo, te dejaremos ir, tendrás una nueva identidad y buen dinero, comenzarás una nueva vida en cualquier parte del mundo o el expediente irá directamente a las autoridades italianas. a tancredi y carlisi los mataremos nosotros, y también a tu hermana. ¡no! a giada no, te lo ruego. depende de ti. piénsalo bien. ella debe permanecer fuera de esto. bien, procedamos con el plan. ♪ ven. usarás esto, es un teléfono encriptado, no es posible rastrearlo, la usaremos para contactarte. sobra decir que tus amigos no pueden ver eso, ahora, dime lo que están planeando. ♪ ♪ (mujer) no sabía que la señora weber tuviera un nieto. (carlisi) casi nieto, mi madre era como una hermana para ella. pero ella nunca ha venido a
hice todo lo que me pidieron. aún tienes que hacer algo más por nosotros, tancredi y carlisi no pueden seguir siendo un problema. ¿en qué sentido? en todo sentido. pero no puedo hacerlo. ¿sólo porque no son mujeres indefensas? ♪ ya sospechan de mí. ♪ no puedo hacerlo. si haces lo que te digo, te dejaremos ir, tendrás una nueva identidad y buen dinero, comenzarás una nueva vida en cualquier parte del mundo o el expediente irá directamente a las autoridades italianas. a tancredi y...
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Jan 9, 2013
01/13
by
KRCB
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eye 119
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and what i could control was how people viewed me who used to believe in me, and if i acted in a way that acted as though i wasment the leader that i tried to be or that i acted like before, then they're going to se a tof faith. so i made the decision that day what i'm going to do, i'm going to be the best leader i can be every day. i'm not a perfect leader every day. you make mistakes you go down. the question is that's not the new standard you try to be every day. you try to rise yourself up into what you want to admire and you want others to admire not because you want to be rich and famous but because you want to look at yourself in the mirror. >> rose: thank you. stanley mcchrystal will be published this week. thank you for joining us. see you next time. captioning sponsored by rose communications captioned by media access group at wgbh access.wgbh.org
and what i could control was how people viewed me who used to believe in me, and if i acted in a way that acted as though i wasment the leader that i tried to be or that i acted like before, then they're going to se a tof faith. so i made the decision that day what i'm going to do, i'm going to be the best leader i can be every day. i'm not a perfect leader every day. you make mistakes you go down. the question is that's not the new standard you try to be every day. you try to rise yourself up...
WHUT (Howard University Television)
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30
Jan 11, 2013
01/13
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WHUT
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eye 30
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he always seemed prepare to me. he was always, always like three steps ahead of people in the room. and was clear that he had read the material, that he had thought about the material. and a lot of that work happens-- happens at night. >> rose: but on foreign policy, which he was least experienced in, seems to, in the judgement of military people i've talked to, have been best. bob gates on this program said to me had the decisional making talent of people that i have rarely seen. so did general mccraven. he said i have seen people in the military for 40 years that didn't handle decisions as well as he does. >> no, it was a revelation to he moochlt he's been my friend as i mentioned for a long time. but you never know exactly how people are going to handle these things until you see them. one of the things about that long campaign, though, is what you-- you began to see elements of that. and you know, even on foreign policy, i was thinking about this the other day. we, our campaign began to take off in the summer of
he always seemed prepare to me. he was always, always like three steps ahead of people in the room. and was clear that he had read the material, that he had thought about the material. and a lot of that work happens-- happens at night. >> rose: but on foreign policy, which he was least experienced in, seems to, in the judgement of military people i've talked to, have been best. bob gates on this program said to me had the decisional making talent of people that i have rarely seen. so did...
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Jan 23, 2013
01/13
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KQED
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Jan 10, 2013
01/13
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WETA
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there's one part where ben affleck is talking to me or tony mendez. and i say to ben affleck, i've got instructions we're going to close the embassy. so you got to movie the departure date up. you got to really move this along. it's inconceivable the canadian government would close that embassy before they left. >> rose: right. >> if we were at the u.s. embass i'm the same. the u.s. embassy wouldn't contemplate closing the office and say well the six of you are on your own now. it's just not right. so the movie is, plays canadians as rather passive when actually the tickets are one example. that is there wasn't the last minute of flurry. >> rose: and there was the passports. >> the passports which we had to get a new set because theirs were on calendar. the chase at the airport was exciting. but what happened on the departure was i gave each of the six one ticket on swiss air and one ticket on b8 so if any mechanical problems came up. the embassy car picked them up at 4:00 in the morning, picked up tony at the hotel. went to the airport and i said to
there's one part where ben affleck is talking to me or tony mendez. and i say to ben affleck, i've got instructions we're going to close the embassy. so you got to movie the departure date up. you got to really move this along. it's inconceivable the canadian government would close that embassy before they left. >> rose: right. >> if we were at the u.s. embass i'm the same. the u.s. embassy wouldn't contemplate closing the office and say well the six of you are on your own now. it's...